Author: Shelly

Suspension of Disbelief

Reality vs the suspension of disbelief is a very strange phenomena in the Lego universe. It’s seemingly arbitrary rules continue to amaze me.

Yesterday I posted this photo I received the following comment: “Great shot Shelly. The pink strat is upside down, unless the squid is a lefty, and plays like Hendrix. :)”

We are willing to accept a guitar playing squid and singing mermaids but not the guitar in a non standard position. The last time I looked, the definition of a guitar is a six or 12 string instrument, not three. What kind of instrument is this really? Does it matter? Is that kind of attention to detail necessary?

There is a trend within the Lego community for an AFOL (or TFOL) to create a signature figure that represents themselves. I myself have a fairly distinct red headed figure I have used for well over a year that is my Lego alter ego. (She even has her own Lego alter ego.) This figure looks nothing like me…nothing. I was talking to a woman the other day who I have know for a few months. She met me first through Instagram. She told me that on our first in person meeting she was very disappointed to find out I looked nothing like my mini figure; where was my pink hair!?!

People take great pride in recreating famous land marks, album covers, particular cars and just about anything else you can think of in the human world with their Lego. In fact many of Lego’s most iconic sets are based on something in the human world: The VW Bug, The Taj Mahal, The London Bridge, The  Lego UniMog …the list goes on and on.

But where is the fun in that? How come we can’t make cars that grow flowers or crazy houses that twist and turn, bridges that don’t conform to logic or create a mini figure that looks like who we want to be? Why can we suspend our disbelief about a talking squid and some mermaids but not with an upside down guitar? For all I know Squidward taught Jimmi Hendrix everything he knew about guitar playing. Because in MY Lego world anything is possible.

If you have a Lego mini figure representing you, does it look like you?
When you create with Lego do you work from photographs or from your imagination?

The Basics (part 3)

By popular demand (read one request) I was asked to review the basics of macro photography. If you don’t know what macro photography is…it is simply the art of taking pictures close up of small objects.

The Basics

1) Use a tripod or equivalent: When you are focusing on such a small object, camera shake will ruin your focus.

2) You will need additional lighting: Whether you are shooting inside or out, having some additional lighting will allow you take advantage of your full range of f-stop. A ring light, flash (not necessarily attached to your camera) or two small auxiliary lights are all excellent options.

3) Use Aperture Priority mode: when you are shooting closeup you will want to play with how much is in focus for the best effect. A slightly blurred background is a great way to set off your subject and minimize distractions.

4) Use Manual Focus: You should be in control of what’s in focus, not the camera. When you are going for pinpoint accuracy, there is no substitute.

Other Tips

5) Vary the background: You can only have so many shots with blurred green foliage. Be cognizant of your color range.

6) Use a Third Hand: A clever device to have in your arsenal, it can help position a toy or help to add additional interest to your background with color or texture.

7) Use Reflectors: These are easy to make and small enough to carry around. They are a great way to bounce available light onto your mini figs face to minimize shadows or reflective lines.

Toy Photography Specifically

8) Clear your surface: Stray leaves, grass, pebbles, pine needles etc may not look like much when you are shooting, but once you enlarge your photo they become huge distractions.

9) Minimize your figures: When shooting Lego, 1-3 mini figures is more than enough to fill your frame. More than three (which is itself pushing it), can be over whelming.

10) Be aware of where your toys are looking: The slightest change in a head tilt can signal dramatically different emotions. Don’t forget to make sure the face is in focus. For most people being able to connect with the subjects eyes is a way to connect emotionally.

11) Take your time: More than a few photos have been tossed because the hair wasn’t lined up correctly or the pants where a little askew. Review your photos on the screen before you move on and make sure you have caught these little errs. It can be the difference between a beautiful photo and another image on the virtual trash heap

12) Change your view point: If your photo is just not coming together change your view point. Move above, below or even to the other side of your set-up. Often the image is there, you just have to get the right angle on it.

13) Have fun and don’t be afraid to take risks. We’re toy photographers and we shouldn’t take ourselves too seriously!

If you have any questions or anything to add to the conversation please leave a comment. We are all here to learn from each other.

The mask isn’t on straight in this image. I didn’t realize it until I had returned home and upload the image onto my computer. I let it fly since I like it so much. In the future I will need to follow step 11 more closely. 🙂

Sometimes doing nothing is better than doing something

When I left town a few days ago, I packed a wonderful collection of Lego and all my camera gear with grand intentions. My family and I would be driving nearly 1800 miles (2824 km) across the US and we would be passing by some of my favorite places in the country like Yellowstone National Park and Moab, Utah. I was going to be ready!

Five days later, not a single Lego picture was taken, not even a quick iPhone photo. What happened? In our spare time we decided to do stuff a 9 year old boy wanted to do: a train museum and a dinosaur museum were the highlights. Besides having fun I realized I was actually taking a much needed mental break. I have enough photos on my iPad to feed the Instagram beast for a couple of weeks and it was more important for me to take a breather. 

When you embark on your creative path, it’s important to realize that when you’re not working on your work…you probabaly still are. Even when taking a break, your mind will continue to be working out those artistic road blocks. And this is what happened to me this week. At some point while driving I realized where I wanted to go next with my Lego photos and what my project would look like. Now I can’t wait to get home and get started. 

If you’re feeling stuck or unmotivated, simply kicking back and relaxing is the best course of action. Let your subconscious work it out, more than likely it’s already got the answer. Sometimes you have to do nothing to move forward. 

So You Want to Be an Artist

Congratulations! Like many people you might have the fantasy of quitting your mind numbing job and joining those carefree bohemien artists creating and selling their art. This is an admirable goal and I salute you.

Before you embark on your dream I ask you this one question: do you support the arts yourself? Do you buy from artists directly? Do you attend arts & crafts shows? Do you purchase the music you listen to?

If you want people to support you as an artist you need to support other artists. It’s as simple as that.

If you were to come to my house for dinner I will prepare the meal using a hand made knife and cooked in a hand made skillet. I will serve your meal on hand made dishes and glasses upon my hand made table. (If I really like you I will pull out the fancy hand made silverware!). As I am preparing your meal you can look at my walls covered with original paintings and sculptures that have been collected over the years. I might be wearing one of my many hand made sweaters and most certainly some hand made jewelry. Of course since my house is always filled with music, we will be listing to my latest music purchase. While you are waiting you might even browse my extensive collection of band posters, records or books…  all of which I have purchased to support the various artists that I love.

To me this is what supporting the arts looks like and I have a very good reason for living this way. If I buy from artists, they will often buy from me. Artists will often be your first paying customers. If they have money in their pockets they support the arts, because like me they know how important it is to purchase from artists directly

I’m not saying you have to buy all your gifts and household items from artists, but next time you are out looking for a creative gift, look beyond the mall and you might be surprised at what you will find. Supporting the arts doesn’t have to mean writing out a donation check to some semi-anonymous arts institution, it can encompass an entire life filled with hand made goodness.

Simply put, what goes around comes around.

Do you support the arts?
If so, how? 
If not, why not?

I do get bored of posting my own pics on this blog. I would be happy to post other members images here as well. If we are not connected through Flickr, lets make that happen. 

The Burden of Dreams

I confess I’ve been watching documentaries again. This one was about Werner Herzog and his epic struggle to complete his movie Fitzcarraldo. The documentary, Burden of Dreams, concerns a movie maker on a seemingly Sisyphean task who’s main character is on a similar, nearly impossible task. 

As Werner Herzog is talking about his project, after hitting the umpteenth major snag, he said the following:

If I abandon this project, I would be a man without dreams and I don’t want to live like that.

Werner Herzog

The above quote really struck home. 

It is good to remember that dreams are a burden. They ask much of us; sometimes too much. But like Mr. Herzog you have to keep going, no matter how tough it gets. You have to  nurture your projects and the dreams they come from. It doesn’t matter if success or failure await you; living without dreams would be a very bleak existence. 

  • Have you ever though about quitting?
  • If so, what kept you going?

No One Ever Said This Would Be Easy

Have you seen Sting’s TED talk? I did and I was mildly amused by Sting and his talk.

I think it is important to realize that every artist struggles with the artistic process. No matter if you are a multi platinum musician who makes enough off his royalties to live in a chateau and grow his own grapes or the beginning photographer. The creative issues are the same if not the income stream.

So, yes we are all in similar (I will never say: “the same”) boats. The goal is to make relevant art that speaks to who ever might view, listen or read our creative works. There is no magic formula to success, I wish there was. But I do know that if you speak from the heart and are true to your own voice you will make a connection with your audience.

I think it was interesting that Sting had to go back to his roots, the ones he had been denying, to find the motivation and his voice again. Sometimes you have to go to the dark places, the places you want to avoid to do the work that needs to be done. I think the trick is to take your viewers on your journey with you, but still allow them to find themselves in what you are saying. To be personal, but still universal.

By creating honest work we will find ourselves a little closer to the answers and hopefully maintain our inspiration.

Where do you get your inspiration?

Staying Motivated is Hard to Do

I don’t think there is any skill harder to develop than the ability to stay motivated. No matter what you are doing, taking photographs, building your latest MOC or writing the next great novel, staying motivated is hard.

It’s easy to get distracted by day to day obligations, or worse yet just quitting altogether, because creating art is hard. But there is a trick to not quitting, make friends with people who share your passion. Surround yourself with supportive excited people who like to do what you do. Get together on a regular basis and share what you’ve been working on. Geek out, it’s fun

I know that toy photography is a rather specialized photo niche and Instagram can be a great substitute for a local photo club. It can function like the most amazing and supportive group of fellow photographers you could ever hope for. Plus by getting in the habit of posting once a day, every other day or whatever you can commit to, you will be getting better just by shooting consistently. It is also a great place to make friends who share your passion for toy photography.  

So get out there and shoot some photos with your camera, your phone, your fancy DSLR…it doesn’t matter what the photo looks like. Some days your photos will be awesome, other days, not so much. It goes with the territory. Post your photo to Instagram, get some feed back and do it again tomorrow. It’s doing the work that is important. Of course the real fun begins when you look back over your feed and see how much you have grown. 

And THAT will feel much better than quitting. 

  • Do you find it hard to stay motivated?
  • How do you stay motivated

Art & Fear, You Are Not Alone

I want to offer up a recommendation to one of my favorite books on creativity of all times:

 Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles & Ted Orlando.

I read this book many years ago and it was helpful when I hit a few creative rough patches. I thought I would give it a read again and see if it could shed some light on many of the creative concerns I hear mentioned by my friends on Instagram. Ideas like motivation, inspiration, talent and approval to name just a few of the common themes I hear mentioned in one way or another.

After the first page, after just the first paragraph, I wanted to scream out: THIS IS IT! I don’t know how I can express to you how good it feels to read this book. It is like having your favorite, trusted art teacher tell you all your fears and doubts are ok, that we all have them. It is normal.

Since I know you are not convinced, here are a few quotes from the first pages to tantalize you:

Artmaking involves skills that can be learned. The conventional wisdom here is that while ‘craft’ can be taught, ‘art’ remains a magical gift bestowed only by the gods. Not so.

 Art and Fear, page 3.

Even talent is rarely indistinguishable, over the long run, from perseverance and lots of hard work. 

Art and Fear, page 3.

You learn how to make your work by making your work … art you care about — and lots of it!

Art and Fear, page 6.

Please don’t be dissuaded from this book by the word “Art”. It is relevant to anyone who is trying to be creative, no matter if you’re a painter, a jeweler, a musician or a writer. The observations in this book are for everyone who wants to be creative. So I beg you, plead with you, to go to your local book store and grab a copy of this work of sheer genius. Trust me.

My Unikitty Alter Ego

Today I felt like Angry Unikitty for much of the day. Whenever I feel like this I’m tempted to post cutting remarks on various social media platforms but then I remember the immortal words of Mark Twain…

It is better to keep your mouth closed and let people think you are a fool than to open it and remove all doubt.

Mark Twain

Words to live by.

  • Have you ever posted something you regretted to a social media site?
  • Have you ever read something posted by someone else that really pissed you off? 
  • Do you try to be a positive influence on social media sites or just speak your mind? 

Two steps back…

This week has been filed with lost opportunities, missed connections and course corrections…or as I like to say, business as usual.

All of this made me think back to the book Steal Like and Artist and one of its more accurate diagrams.


I have had countless ideas that I have thought: “Eureka, this is going to be awesome!” And then as I start to face the difficulties of bringing my fantasies into the realm of concrete, ugly reality will hit. Yup, making art is never a pretty or an easy road.

This diagram is also a good representation for life, never quite as great as you imagined it could be, but not quite as bad as you feared.

So when you face your next creative crisis know we have all been there and it’s ok, this too shall pass.